So first off, this is kind of inspired by an earlier exchange of “niceties” on Twitter.
8 years ago, I was almost 19. I had stars in my eyes and was on the verge of getting my first college degree. The goal was New York City in 10 years. As a program director of a radio station.
I got hired on at KUPL shortly after getting that degree. After about 2 years of not really doing any advancing, the station changed management and I found myself dj’ing country music–horribly. Doing that for awhile led me to greater things, I got to meet Rick Emerson, who, in turn, gave me a chance on his air on KCMD…which led to my own show.
Musicology was fun. But the economy wasn’t. Eventually, I tired of being yelled at every other day and I gave up the fight and headed to office land. At least I had a job in the industry, right? That’s what everyone (save Rick and a few other people) kept telling me.
Over the months, I noticed a change in the people I looked up to. They were scared. CBS went through 84 firings in less than a year and they had kids, mortgages, and a lifetime invested in this industry. John Lander from Z100’s heyday had a fucking ten share and has been on the beach for a year and a half. A ten share. There was a definite change in the atmosphere. It was no longer jovial and fun. This was serious business and the only people that could survive were the ones to keep their mouths shut and keep their heads down.
I got sick of being told I should be lucky to have a job. No one in this fine country should feel lucky about being able to feed their family. I had gone from great amazing management to being yelled at on a regular basis–for doing what I was told to do. I had gone from being relatively healthy to the sickest I had been since I was six years old.
When Alpha bought us out, I was ecstatic. We were told that they believed in live and local radio, there was an inspirational speech by Larry Wilson himself and free booze. CBS hadn’t gotten us free booze in years (!!!) so that was something, right? Shortly after that, they fired the rest of my friends (save one or two), they fired my insane boss (!!!), and multiple other people. There was no HR department, they fired that guy.
In September, I started emailing my demo around. I got about as much answer from that as I did asking any of them about actual work matters. For a business in the communications industry, there’s a decided lack of communication. Then I started listening to Portland radio…closely. Outside of the shows that a few people I know slave over, I wasn’t really compelled by anything I heard. I could hear that same stuff in Pittsburgh. Or in Montana. Or San Francisco.
I thought about this rather deeply…for three weeks after Cort and Fatboy, Rick Emerson, Tim Riley, Sarah Dylan, Greg Nibler, and even Buzz were pushed off the air. Do I have what it takes to work in radio, right now? Can I sit around for another 3 years before I can get back on the air?
NO.
I have bills to pay. Oh fuck, do I ever. But I refuse to become that desperate bitch that throws everyone under the bus.
I refuse to allow a business to make money off of me if I am embarrassed by the product or the treatment I receive in return for my labor.
I will not be taken advantage of. Ever.
Moving onto my next point. Claiming that anyone can do something that creative people have become successful at is ridiculous.
Anyone can act.
Anyone can have a pirate radio station.
Anyone can make movies.
Anyone can do an online radio show.
While this is true in the most black and white sense of the term, not everyone can do it successfully.
However, looking at things in the most black and white sense causes one to skip over a lot of grey area. There’s a lot of variables that one misses out on.
Sure, anyone could do a podcast…but do they have a business plan? Do they have an idea of how to prep for a show? Are they entertainers, or are they seat warmers? (Seat warmers are leeches. One who does nothing really remarkable but does a mediocre job when they are employed. The person who inspired this is such a person.)
I left radio to pursue a business plan that involves taking the step to have creative control over my career. I’m not a seat warmer, I was sick of feeling like one. I’m an old school of radio pro. I make things happen. I don’t let it come to me…I go to it. Or I show my skills off through good old fashioned busting ass.
I won’t let the deals come to me. I’ll create them. You never could do that, you’re right. That’s what makes you a seat warmer (who, by the way, is part of the problem in radio…nothing is handed to you in this business. You don’t deserve anything. You aren’t owed anything. And I see too many people like you get jobs while good talented people wait on the sidelines.).
I refuse to be like that. Ever.
[...] This post was mentioned on Twitter by Monica Topping and Kristen Bowie, Jananigans. Jananigans said: RT http://bit.ly/4KibLU "Why I left radio" (via @KristenBowie) [...]
Having had Kink on my client roster for the last 15 years, I notice a huge shift in moods every time I swung by the studio. From Candy (Candace G), Rachel, Dave and Dennis, I saw many happy faces turn to, well . . . mud. You could feel the tension in their “radio” air. So to read your article was not only well said and well put, but more importantly – direct and accurate.
Since releasing Kink as a client at the end of 2008, my health is much better, I enjoy talking to friends more often and I’m smiling again. Before that – suicide was a option only in theory.
Thank you for sharing.
Tim Oakley
Oakley Design Studios
Portland
Tim-
It’s a scary time, for sure. Not to say that those guys put their best foot forward. I know from working at the KINK building from June until last week that those guys are trying their damnedest to put the best radio station they can on the air. Every single one of them was so very kind to me, but it is what it is and what it is is a scary time. It was just so heartbreaking to see everyone so frightened. Everyone that I worked with was very kind to me while I was there and I wish them nothing but the best, but it was time for me to exit. And imagine that, my health instantly got better as well.
kristen,
Radio today needs more like you, and by radio I mean terrestrial, satellite or podcast. Terrestrial radio today sucks, satellite is well on it’s way to sucking. and well, I like allot podcasts currently.
You are better off now unemployed from media, there will be a media reboot soon and you will come out on top for having left the scourges of a supposed “live” and “local” company. It won’t last for them and you can only lose money for so long before a “re-imaging” or a sell happens. You win in the end. Good for you. One way or another, I think you are better off. Real talent will win in the end.
a humble listener,
http://www.twitter.com/phxt
oh and it is a pleasure to be posting so close to Mr. Tim Oakley of Oakley Design Studios as can be heard on http://funemploymentradio.com/ occasionally
Thank you! Satellite was SO much fun 5 years ago…but the problem with that particular plan is that the satellites cost millions of dollars and need to be replaced every 10 years or so. It’s a shaky business plan at best. I agree with you, I think that terrestrial radio will stick around–but in a vastly different sense. It may even be repurposed for cell phone bandwidth spectrum. Who knows? It’s definitely changing, and change doesn’t give any company the right to treat the people they have earning money for them in the way that they do.
[...] They’ve lived and breathed the art and the business and experienced its ups and downs – and when one of them chooses to walk away from a job, as Kristen Bowie has, I naturally take notice. “I left radio to pursue a business plan that involves taking the [...]